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Transition was motionVFX's mTransitionZoom for fcpx. Worked really well to do it that way though (even if my 'ninja walk' with the gimbal was a bit amusing to the people around me who didn't know what I was doing). There was no way I could do traditional hyperlapse at that location with all those people around and on that uneven surface. Then comp'd the two together so the less blurry version is within an oval in the middle of the frame, and it gets more and more blurry towards the edges. I first applied max motion blur to the sequence in Resolve, then applied a ton of additional motion blur to a copy of that using RE:vision's ReelSmart Motion Blur plugin to AE. The hyperlapse sequences were done in real-time with the Osmo/X5R. What an amazing tiny little cinema camera. And yup, the X5R plays really well with the entire BM line. I also wonder what transitions you used, they are great! Is it made out of a photo sequence or did you just sped up a continues video and added motion blur? Rutger Groenhuijsen wrote:Beautiful shot and superb editing! Really like it! The UM4.6k and the x5r are a beautiful combo once graded. wish my commercial projects could be this fun. And as it turns out, the X5R and Ursa Mini 4.6k play really nicely together when you shoot in Raw on both and process using BMDFilm for both. That said, Resolve is amazing at being able to push and pull those files around, and I'm happy with the result. But underexposed, as y'all know that's another story. If the 4.6k gets enough light the image quality is so great. Lots and lots of windows, big tracking job. Fairly involved grading task in Resolve because I was shooting between just-before-sunset to about 10pm and wanted to provide at least a relatively consistent lighting feel. A Sony RX100 was used to capture the 3 shots of the fireworks from the flying chair ride, and a Nikon D4 in high-speed burst mode was used for a couple of the fireworks shots to create a pixelated motion effect. The hyperlapse sequences were made with the X5R on the Osmo (raw 4k), and then post-processing those clips in Resolve with maximum motion blur, and then making another layer of much more heavily blurred footage (using ReelSmart motion blur) and comping those two layers together so the less-blurred footage is in the center of the image, etc. 80% of this was shot on the UM4.6k at 60 and 120fps, all raw 4:1. It started out as a low-light test of the Ursa Mini 4.6k & DJI X5R and also to see how well I could cut them together - and then it got a little out of hand.Īll done with permits, insurance, no flying over people, no flying after 30min past sunset, etc etc. Managed to bottle some lightning with this piece.

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